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MOVIE REVIEW
Fucking Different XXX
Genre: Compilation, Erotica, LGBTQIA2S+, International
Year Released: 2010-2011
Runtime: 1h 30m
Director(s): Maria Beatty, Bruce LaBruce, Jürgen Brüning, Emilie Jouvet, Manuela Kay, Kristian Petersen, Courtney Trouble, Todd Verow
Cast: Abel, André, Boots Ramon, Finn, Hannes, James, Judy Minx, KAy Garnellen, Logan Stevens, Nic Stocksson, Rio Duran, Robert Would, Rose Wood, Zaho Sebastian Mann, Zoë Challenger
Where To Watch: available now, stream here: www.pinklabel.tv
ADULT CONTENT: As I continue to broaden the scope of my reviews, I’m thrilled to delve into the vibrant and diverse world of adult films. Featuring titles from various platforms, these reviews explore indie and mainstream adult content that challenges conventional norms and celebrates diverse depictions of desire. From softcore to hardcore, and including provocative series that bring taboo fantasies to life, these films reflect the complexities of human sexual desire in uninhibited, creative ways. Please be advised my reviews include explicit content and mature themes. If this isn’t your preference, feel free to skip these posts. No judgment here—your discretion is advised.
RAVING REVIEW: Few anthologies are as daring in their concept as FUCKING DIFFERENT XXX. Bringing together eight directors to switch creative roles—lesbian filmmakers crafting gay scenes and gay male directors exploring lesbian themes—the film offers an ambitious and thought-provoking exploration of human sexuality. While the anthology doesn’t consistently achieve its lofty goals, its raw energy and diverse perspectives make it a significant contribution to queer cinema.
Maria Beatty’s "Lilith / Mother of Evil"
Beatty opens the anthology with an intense and visually fascinating segment. Drawing from the myth of Lilith, the "Mother of Evil," Beatty’s depiction explores themes of forbidden desire. However, I’ve seen others speaking on the troubling issues of its portrayal of Lilith as a trans woman subjected to punishment for her desires. While undeniably provocative, this segment leaves a mixed impression. I honestly don’t feel that this is a subject I can speak about; I can only say that from a visual standpoint, the segment was stunning.
Jürgen Brüning’s "Martina XXX"
Brüning offers a playful and surreal take with Martina XXX, a segment filled with whimsy and humor. Martina frolics in a ball pit, experimenting with props that range from absurd to oddly intimate. Brüning’s tongue-in-cheek approach adds levity to the anthology. The balance of these two segments, completely unrelated, still creates a contrast that I was not expecting. Its quirky energy and willingness to embrace the unexpected make it a memorable addition.
Émilie Jouvet’s "New Boy on the Block"
In New Boy on the Block, Jouvet captures the innocence and awkwardness of young self-discovery. Set in the 1990s, the segment follows our protagonist, a German student, as he explores his attraction to a Swedish exchange student. Jouvet uses the nostalgic setting to evoke the tender vulnerability of first love. While certain moments are overly literal, the segment’s warmth and authenticity shine through. It’s a heartfelt exploration of youthful curiosity and identity. A true ‘cumming-of-age story’ if you will (sorry, I had to!)
Manuela Kay’s "Blümchensex"
Kay delivers one of the anthology’s most daring segments with Blümchensex. Set outdoors, the segment juxtaposes the serene natural setting with an intense sexual depiction, reclaiming the act as one of trust and connection. Kay’s fearless approach celebrates queer intimacy in its most unfiltered form, challenging viewers to reconsider preconceived notions of intimacy and eroticism.
Bruce La Bruce’s "Offing Jack"
La Bruce’s Offing Jack combines his trademark aesthetic with a provocative narrative. The segment delves into the volatile dynamics of a relationship, blending humor, tension, and moments of raw vulnerability. La Bruce’s unapologetic exploration of the complexities of love and desire keeps the segment engaging. The segment’s chaotic energy captures his distinctive voice, making it a standout experience.
Kristian Petersen’s "Dyke Fight"
Petersen brings an unapologetic energy to Dyke Fight. The segment depicts a passionate and fleeting encounter between two women in a gritty nightclub. Petersen’s vibrant, kinetic visuals amplify the characters' chemistry, creating an electric segment. The intimacy between the characters is palpable, and the rawness of their connection elevates the segment into a celebration of empowerment and desire.
Courtney Trouble’s "Anchor Anatomic"
Trouble’s Anchor Anatomic takes a quieter, more introspective approach. It blends sensuality with a focus on the intersection of intimacy and technology. By emphasizing the tactile details of connection, the segment invites viewers to reflect on how human desire adapts to an increasingly digital age. While more subdued than other segments, Anchor Anatomic provides a contemplative counterpoint to the anthology’s more intense offerings, showcasing Trouble’s skill at evoking emotion and vulnerability.
Todd Verow’s "use. destroy. repeat."
Verow’s use. destroy. repeat. adds to the anthology with a gritty and poetic reflection on the cyclical nature of desire. Set in Paris, the segment follows fleeting encounters highlighting the tension between intimacy and anonymity. Verow’s minimalist storytelling and focus on emotional nuances create a haunting and reflective finale, leaving the audience with much to ponder about the transient beauty of human connection.
FUCKING DIFFERENT XXX isn’t a perfect anthology, but it’s an ambitious, necessary, and educational exploration of queer sexuality. Its strength lies in its diversity of voices and willingness to tackle “taboo” topics head-on. While specific segments may sputter or provoke some discomfort, the film challenges conventions and invites conversation. For those ready to embrace its vision, this anthology offers a complex and unapologetically queer cinematic experience.
Content Note: The film “Lilith / Mother of Evil” was created with its star performer based upon her fantasies and depicts consensual non-consent.
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[photo courtesy of KRISTIAN PETERSEN FILMPRODUKTION, PINKLABEL.TV]
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